There is a muttering in the walls but
no distinct words;
A restlessness in the corners of my
vision,
But no flutter or jerk when I look
squarely there.
I turn my head toward it.
My skin cringes and hair bristles as it
does
With chalk shrieking on slate or a cold
draft passing by.
I try to find the source of the muffled
sound:
Did static crackle as I brushed against
the drapes or bed?
I retrace my steps: was it door hinges
or floorboards creaking?
Perhaps it is the Shechinah, the
indwelling
Of the Sacred in this world,
Like a dancer rustling her skirts for
my attention.
They say she is the “still small
voice within”
But they don't mention that sometimes
She is around not inside us; and
sometimes she is mute,
Only communicating in faint groans and
gestures.
Perhaps it stifles her voice when so
many words are used
To make excuses for what I know is
wrong.
Now how to learn this kinesic code?
Luckily it is a language the heart
understands.
Still when I try to put that fragile
whisper in my poetry
It has escaped every time.
No combination of sounds and breath
Can
capture that surd undertone,
Like trawling the riverbed with nets
designed to catch sole
But trying instead to ensnare those
quicksilver slivers of minnows,
The Divine slips through an “o” and
an “a” every time.
written Dec 1979,
edited March 2011
1979 - nice. It so great to revive and renew this piece. Your atmoshpere is really vivid and authentic.
ReplyDeleteA fantastic write, Lillian! Love how the Divine slips through the o's and a's.....
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